This article addresses challenges and opportunities posed by the design and production of network performance from the point of view of collaborative creative work. It examines strategies that, while referring to the network as a new medium for performance, make use of concepts from dramaturgy to better understand the relationships between artists, audiences and media. The author characterises three distinct models for dramaturgy, particularly from the point of view of collaboration, authorship, presence and environment.
Keywords: Network; Dramaturgy; Performance; Participative; Topology
Rebelo, Pedro (2009) “Dramaturgy in the Network,” Contemporary Music Review 28, no. 4 (2009): 387.